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HIGHLY -STRUNG? WE FIGHT OVER HAIRSPRAY!

Vox Magazine Feb 1992 included the free 'Record- Hunter' Magazine which had a 10 page Queen tribute including the reprinting of the two following Freddie interviews by NME Journalist Julie Webb from March and April, 1974.

 

     

It was clear for all to see that Queen's Freddie Mercury wasn't in the best of health. His hair lacked the recent attention of heated curling tongs; a cold sore was erupting above his upper lip; and horror - seems he'd not been able to summon enough strength to apply Biba black nail polish to more than one hand.

Mercury was worried as the camera lens zoomed in on him. He beseeched us to "touch up the picture to remove the cold sore if you can."

I know it sounds like we're setting the guy up, but he takes it all in good heart. Why, last time we met he stated he was "gay as a daffodil" - and here he was, willingly holding a daffodil in hand, outside Buckingham Palace. He posed regally, shirt temporarily coming unhitched from his trousers, revealing a hairy chest.

The British tour sapped most of the Mercury energy. Bedridden with laryngitis when it finished, he had just a few free days to repair any mental or physical damage before Queen joined Mott The Hoople on their two-month tour of America.

He is, in short pretty knackered - and if the American tour seems to be happening too soon after Britain, there's no way he can change things.

I'd like a couple of weeks off, but you've got to push yourself. But we're at a stage in our careers, my dear, where it's just got to be done. I shall be resting on my laurels soon…"

He stops, considers the last remark and realises he may have said the wrong thing. Hurriedly he comes in with, "To put it another way, I shall try and reap my profits. I've worked my ass off these past few months. I've worked till I've dropped and after a while you physically can't do it."

Didn't he think the British tour was a bit too busy, what with so many gigs included. "Yes it was a heavy tour, but it put us in a different bracket overnight. It's a tour we had to do and I think now we've done it we can do the next British tour on our own terms, exactly how we like.

"With this tour we were booked in well beforehand at semi-big venues and, by the time we came to doing them, we had the album out, we'd got a bit of TV exposure and everything escalated. I think if we'd waited we could have done all the big venues - it's just a matter of timing. But I'm glad we did the tour when we did. Even though there was a lot of physical and mental strain - so many things to worry about other than the music."

A situation not improved by the fact that all members of Queen are, according to Mercury, "very highly strung". Add to that his admitted bad temper. "I'm very emotional. Whereas before, I was given time to make my decisions, now nearly all of us are so highly strung we just snap. We always argue but I think it's a healthy sign because we get to the root of the matter and squeeze the best out. But lately so much is happening, it's escalating so fast that everybody wants to know almost instantly, and I certainly get very temperamental."

"You've got to know where to draw the line. But the public always come first - it's a corny thing to say but I mean it. Lately I've been throwing things around which is very unlike me. I threw a glass at someone the other day. I think I'm going to go mad in a few years time; I'm going to be one of those insane musicians."

It's at this point that I begin to wonder about Mercury. On stage he lords it around like some old slag. Offstage, he's vain, camp - yet a nice enough dude.

He just has an unfortunate way with him during interviews, coming out with quotes and stories that are bound to be misconstrued or lay him wide open to mickey-taking. This could well account for some of the unkind press the band have received.

"I think, to an extent, we are a sitting target because we gained popularity quicker than most bands and we've been talked about more than any other band in the last month, so it's inevitable. Briefly, I'd be the first one to accept fair criticism. I think it would be wrong if all we got were good reviews - but it's when you get unfair, dishonest reviews where people haven't done their homework that I get annoyed." Unlike many British bands, they've waited until the time was right and are appearing on the same bill as Mott, who will assuredly pull in large crowds.

So the present and the future seem well assured I enquire about the past - like, what kind of family background does a guy like Mercury have?

"Middle-class. Musicians aren't social rejects any more. If you mean; Have I got upper class parents who put a lot of money into me? Was I spoilt? - no. My parents were very strict. I wasn't the only one, I've got a sister, I was at boarding school for nine years so I didn't see my parents that often. That background helped me a lot because it taught me to fend for myself."

Boarding school… if we are to believe stories that circulate about boarding schools - brutish behaviour, homosexual goings-on - well, the mind positively boggles in Freddie Mercury's case.

I broach the subject…

"it's stupid to say there is no such thing in boarding schools. All the things they say about them are more or less true. All the bullying and everything else. I've had the odd schoolmaster chasing me. It didn't shock me because somehow boarding schools… you're not confronted by it, you are just slowly aware of it. It's going through life."

So was he the pretty boy who everyone wanted to lay?

"Funnily enough, yes. Anybody goes through that. I was considered the arch poof."

So how about being bent?

"You're a crafty cow. Let's put it this way, there were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks. I'm not going to elaborate further."

Oh dear. And just when we were doing so well.


 

JUST A REGULAR KINDA GUY

Described by Roxy Music's Paul Thompson as too contrived and by NME's Nick Kent as a 'bucket of urine', this band have nonetheless come from obscurity to a headlining tour in six months flat.

Freddie Mercury's a pretty regular guy. He uses regular Biba black nail varnish, regular black eye liner, and straightens hi hair with regular electric tongs. You get the idea that he's bored with being told that Queen are going to be big - he reckons he's a star now and wears that star-apparent attitude like a well-fitted pair of trousers.

Freddie's not bent, just camp. Ask him if he's queer and he'll turn round and say: 'I'm as gay as a daffodil, dear'. (He has a habit of saying "dear" at the end of every sentence.) Drummer Roger Taylor expounds: "Freddie's just his natural self: just a poof really."

Apart from Nick Kent describing their first album as a "bucket of urine", Queen have had few mentions in NME - yet even so they managed to pull second place in the Best New Group readers' poll. This week their single 'Seven Seas of Rhye' makes its debut in the chart, just days after release. Soon, their second album Queen ll will doubtless follow. For Queen are big business and though you may hate them they're gonna confound you by being huge.

There's money behind them for a start. For a band who are still on the verge of making big bread they've got an amazing amount of gear and a lighting system that Bowie would be jealous of. They also have a professional set up that makes you wonder why it's taken them so long to get where they are now.

Everyone of them is academically bright; all possess degrees and, while no one likes a smartie-pants, being above average intelligence has helped them avoid being rooked.

"The moment we made a demo we were aware of the sharks," says Mercury. We had such amazing offers from people saying 'We'll make you the next T-Rex', but we were careful not to jump straight in. Literally, we went to about every company before we finally settled. We didn't want to be treated like an ordinary band."

And yet, Queen are very sensitive about being described as hype. "It's rubbish to say we were hype," Taylor claims. "We started playing the really small gigs and then we released album. There was no big splash of publicity or anything. Now Cockney Rebel - their publicity came before they'd done anything."

Cambridge Corn Exchange is one of those places that's draughty but has atmosphere. And when Queen take the stage, it's echoey as well.

In this establishment Queen fans look like any other fans except they wear overcoats. And before you know where you are, the place is being blacked out, the opening strains of 'Procession' (from their new album) are being played, prior to lights switching on Mercury as he gets into 'Father To Son'.

If I seem to be dwelling on Mercury and drummer Taylor it's because they hit you between the eyes as the two genuine image-makers in the band. Taylor is the pretty one with class, while Mercury is the evil-looking type with vibes. He describes himself as being "sluttish" on stage and it's true - just the way he slinks around the place spells out "street-walker, whore, tart". In fact, when he sings their encore 'Big Spender' and yells "I don't pop my cork for everyone", you'd better believe him.

Strangely enough, Mercury, self-confessed poseur and dandy, says they don't come in for a big gay following. "We don't get letters from gay people or anything, though I've had letters saying I look very evil." "True, he does look evil and if you study the lyrics on their second album with its mentions of thunder and lightening, defying the laws of nature and ogres…you begin to wonder. "I just like people to put their own interpretation on my songs. Really, they are just like little fairy stories. Last night (At Sunderland) I felt really evil when I came on stage - when I'm out there I'm really in a world of my own, I go up there and have a good time. It's the audience participation that counts and last night they were really great. I felt I could have gone into the audience and had a rave. Just Freddie Mercury poncing on stage and having a good time.

Was it a difficult transition to make, from being a support band to headlining their own British tour?

"The responsibility now lies with us. But I've always thought of us as a top group. Sounds very big-headed, I know, but that's the way it is. The opportunity of playing with Mott was great but I knew darn well the moment we finished that tour as far as Britain was concerned we'd be headlining.

He poses quite a lot on stage, looking evilly at the assembled masses around the stage before standing sideways, holding his head in profile for seconds, flicking his hair back. All good stuff. And there's more to come if he gets more of his ideas through: I'd like to be carried on stage by six nubile slaves with palms and all."

It had been suggested, that initially Queen had sat down and clinically worked out what was commercially needed in the music business.

They seem ultra-touchy about being accused of jumping on the Glam Rock bandwagen ("We were called Queen three years ago - pre-Bowie") yet Mercury adamantly states: I don't care what they say, really. I think people have said things about us and then changed their minds after listening to the album.